| String Theory Discussion Forum |
| [ String Theory Home ] [ Forum Index ] |
Mandala's at the Heart of CreationPosted by sol on May 13, 2003 at 07:03:43: In Reply to: M Physics 21: Prediction Ten (Pet 10)- The Topology of Cosmic Species *** The Beauty of Nature- Whence the Geometry ~ Cauchy Sequence of Golden Ratio / Divine Proportion *** posted by kx21 on May 12, 2003 at 19:52:02: Kx21, In my own files, and taken from different dreams, it was interesting to have drawn the images (pictorially or otherwise) you portray in this picture of the flower pattern. If I had a scanner, I would probably put it up beside your post, not just for comparison, but to speak on what sometimes mind is made aware of, going to the heart of things. Such pattern developement, goes along side of what could have amount to energy in expression and in consciousness, how would we have defined something that in the mind's eye, senses first principles in expression? Recognition of such developements, are the understanding of pattern formation presented to consciousnes for view. Dream experiencing, is a collage of information not just of what is revealled through pattern formation in that day(emotive understanding of the creation of experience) but of what is sent to the past (archive) of the many experieces we might have of other lives. What would signal and coordinate consciousness to have understood such experiences as tangible methods of recognition of patterns(mandala) as real capsules of energy considerations housed in the memory archives for later viewing? This process recognizes that belief, once formed, will have become sealed in time(a experience we have recognized and created) can be spoken about not just in the experiece sense(reliving a life,dream of another time)but have reveal the schematic of that state, as a sign of wholeness, as mandala's of experience(ie...a medicne wheel.....its schematic structure and layout), revealed in the move of human experiece, as the actual reliving of the memory, and revelation of the pattern structure toward wholeness. Any generalization are complex issues in terms of belief and should not be taken lightly. It is the final resting place in review, that these jump off points ask us to consider what shall be different in the future? Sol said:I do not challenge his thinking, but present the link in the spirit of where it had taken me through my research and questions here in this forum. If it shows the ineptness of what I have presented in link, it is becuase this is where the knowledge had taken me. I present that jump off point and in recognition of the title(spooky action at a distance) of this post, raises awareness of what has been understood my me and not. In order to do that, you had to understand the world you create is contained( like in this past cannot be changed) but is allowed the opportunity to now seek a better creation of the archive, to have ideals(future perspectives) become guiding lights toward resolution of that past. Like what you might do different then what you had contained in experience. Just something to think about, and any artist when looking toward the understanding of creativity would have to bear in mind, this understanding. Becuase it is then, they come closet to the start of pattern formations, in the actualization of these patterns by asking what is revealled in mind by describing what it is they want to say. Language interpretation is quite diverse, and the role here in mathematical expression is precise, and structure. The innovation of insight requires that we incorporate the structures of the math along theselines, but presents a new opportunity? How is that done. A man sits by a stream and implores the complex world of theoretcial revelations. How in this mind, would such a pattern be revealed? Something else had to bubble up for him to be aware of the significance of the developement of that theoretcal move? Sol
Follow Ups: (Reload page to see most recent)
|